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Jeffery
Broussard
Jeffery Broussard was a leading member in Zydeco Force, an influential band at
the forefront of the nouveau zydeco movement. His accordion and vocals defined
this new style of Creole music, incorporating the soulful sounds of R&B into
contemporary zydeco music and dance.
The son of
esteemed accordionist Delton Broussard, young Jeffery began his musical journey
on the drums in his father’s legendary band, the Lawtell Playboys, who were
themselves innovators, adding some R&B and a funkiness to this traditional roots
music. During this time, Jeffery was exposed to some of the great Creole fiddle
players, including the king of the zydeco fiddle, Calvin Carrière.
He has
retained those precious melodies and songs he heard at home, at social
gatherings and on the bandstand. And with the creation of the Creole Cowboys,
and as one of Louisiana’s newest Creole fiddle players, he captures the essence of this
rich musical heritage.
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D’Jalma
Garnier III
D’Jalma Garnier is one of Louisiana’s finest ambassadors of Creole-style fiddle
playing and is a leader in preserving the history and culture of Creole music.
His musical
career started at age five, studying classical music on the violin. He comes
from a long line of accomplished musicians, with a French connection that began
with his grandfather, a renowned fiddle player and coronetist in the New Orleans
Creole jazz circles. D’Jalma went on to become an accomplished guitar player by
age 18, and spent three years studying jazz composition with film composer Lyle
“Spud” Murphy. By the late ‘70’s, he headed for Austin and spent the next 15
years playing everything from jazz, rockabilly, blues, funk, R&B, Tex-Mex,
country and even beat poetry. He was a founding member of the Cajun band File
for ten years, and has played with numerous Creole and Cajun musicians.
Urged
by his father, he picked up the fiddle again to study his grandfather’s Creole
style of music, and in the early ‘90’s he studied with Canray Fontenot. With the
passing of Canray in 1995, Garnier felt an urgent desire to preserve and pass on
this unique style of fiddle playing, and to keep Creole music alive. To this
end, he continues to perform and to teach the music and the culture of his
Creole heritage. |